アフロプリント トップ > オーブリー・ビアズリー
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The Toilet of Salome, illustration for the English edition of Oscar Wilde's play 'Salome', 1894オーブリー・ビアズリー
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How King Mark and Sir Dinadan Heard Sir Palomides, illustration from 'Le Morte d'Arthur' by Sir Thomas Malory, 1894 (litho)オーブリー・ビアズリー
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How Queen Guenever Rode on Maying, illustration from 'Le Morte d'Arthur' by Thomas Malory, 1894 (litho)オーブリー・ビアズリー
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How Sir Bedivere Cast the Sword Excalibur into the Water, an illustration from 'Le Morte d'Arthur' by Sir Thomas Malory, 1893-94 (litho)オーブリー・ビアズリー
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Arthur and the strange mantle, an illustration from 'Le Morte d'Arthur' by Sir Thomas Malory, 1893-94 (litho)オーブリー・ビアズリー
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The Lady of the Lake telleth Arthur of the sword Excalibur, illustration from 'Le Morte d'Arthur' by Sir Thomas Malory, 1893-94 (litho)オーブリー・ビアズリー
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The Wagnerites, illustration from 'The Yellow Book', 1894 (litho)オーブリー・ビアズリー
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Now King Arthur saw the Questing Beast and thereof had great marvel, from 'Le Morte d'Arthur' by Sir Thomas Malory (d.1471) published 1893-94 (black ink and graphite)オーブリー・ビアズリー
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Birth from the Calf of the Leg, illustration from 'Lucian's True History', c.1894 (engraving)オーブリー・ビアズリー
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Lucian's Strange Creatures, illustration from 'Lucian's True History', c.1894 (engraving)オーブリー・ビアズリー
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Bathyllus Posturing, illustration from 'The Sixth Satire of Juvenal', 1896 (engraving)オーブリー・ビアズリー
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Juvenal Scourging Woman, illustration from 'The Sixth Satire of Juvenal', 1896 (engraving)オーブリー・ビアズリー
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Design for the front cover of 'The Savoy: Complete in Three Volumes', c.1896 (colour litho)オーブリー・ビアズリー
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Original sketch for the cover of 'Salome' by Oscar Wilde (1854-1900) c.1894 (ink on paper) (b/w photo)オーブリー・ビアズリー
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Poster for 'The Pseudonym and Autonym Libraries', published by T. Fisher Urwin, 1894 (colour litho) (see also 61992)オーブリー・ビアズリー
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The Stomach Dance, from 'Salome' by Oscar Wilde (1854-1900) 1893 (line block print)オーブリー・ビアズリー
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The achieving of the Sangreal, from 'Le Morte d'Arthur' by Sir Thomas Malory (d.1471) published 1893-94 (black ink and graphite)オーブリー・ビアズリー
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Salome with her mother, Herodias, 1894 (litho) (b/w photo)オーブリー・ビアズリー
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Illustration, probably from The Battle of the Beaux and the Belles, c.1896 (litho)オーブリー・ビアズリー
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Caricature of a figure in a sunflower dress, from 'Bon Mots' (litho)オーブリー・ビアズリー
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Lady with Cello, from 'Le Morte d'Arthur'`(litho)オーブリー・ビアズリー
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A Full and True Account of the Wonderful Mission of Earl Lavender, which Lasted One Night and One Day, by John Davidson, 1895 (litho)オーブリー・ビアズリー
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Peacock motif, from 'Le Morte d'Arthur' (litho)オーブリー・ビアズリー
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The Coiffing, from the poem 'The Ballad of a Barber', in 'The Savoy', 1896 (litho) (b/w photo)オーブリー・ビアズリー
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Title page from 'The Savoy' No. 1 and 2, 1896 (litho) (b/w photo)オーブリー・ビアズリー
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Title page from 'The Savoy', 1896 (litho) (b/w photo)オーブリー・ビアズリー
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Cover design for 'The Yellow Book', Volume III, c.1894 (litho) (b/w photo)オーブリー・ビアズリー
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Front cover of the prospectus for 'The Yellow Book', 1894 (litho) (b/w photo)オーブリー・ビアズリー
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Illustration from Lysistrate by Aristophanes (c.445-c.385 BC) (litho) (b/w photo)オーブリー・ビアズリー
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Lysistrata Shielding Her Coynte, illustration for Lysistrata by Aristophanes (c.445-c.385 BC) 1896 (litho) (b/w photo)オーブリー・ビアズリー
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Cinesias Entreating Myrrhina to Coition, illustration from Lysistrata by Aristophanes (c.445-c.385 BC) 1896 (litho) (b/w photo)オーブリー・ビアズリー
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The Lacedaemonian Ambassadors, illustration from Lysistrata by Aristophanes (c.445-c.385 BC) 1896 (litho) (b/w photo)オーブリー・ビアズリー